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32poems

No. 46 Winter 2026

Timothy Green A Lesser Triumph

Plaudite, amici, comedia finita est.
—Ludwig van Beethoven



Yesterday I remembered applause. Whole rooms
would erupt with it, the people holding all that energy
inside their liquid bodies like geysers ready to burst.
It would start with the smack of one hand against
another, the expulsion of air between the flatness
of palm and palm so sudden that the shock would
travel briefly faster than sound, the kinetic energy
of that singular impulse reaching the drum
of a neighbor’s ear and through the ossicles,
rippling around the little hairs of the cochlea
and all the canals vibrating the vestibular nerve,
sparking electrochemical waves over axon and synapse
and down to the hands, which too would clap
in confirmation, relieved at the release, each
neighbor’s two neighbors of neighboring hands
expanding the blast like the neutron burst
in a fission reactor until the whole body of bodies
would explode, lifting their backs by their limbs
and out of their seats, the lungs pushed through
the lips and the teeth into whistles and hoots,
their caps sometimes blown clear to the ceiling
as humanity shook, and then settled down finally
like the smoke that settles in the valley late at night,
lingering among the silent trunks of the trees.

Plaudite, amici, comedia finita est.
—Ludwig van Beethoven



Yesterday I remembered applause. Whole rooms
would erupt with it, the people holding all that energy
inside their liquid bodies like geysers ready to burst.
It would start with the smack of one hand against
another, the expulsion of air between the flatness
of palm and palm so sudden that the shock would
travel briefly faster than sound, the kinetic energy
of that singular impulse reaching the drum
of a neighbor’s ear and through the ossicles,
rippling around the little hairs of the cochlea
and all the canals vibrating the vestibular nerve,
sparking electrochemical waves over axon and synapse
and down to the hands, which too would clap
in confirmation, relieved at the release, each
neighbor’s two neighbors of neighboring hands
expanding the blast like the neutron burst
in a fission reactor until the whole body of bodies
would explode, lifting their backs by their limbs
and out of their seats, the lungs pushed through
the lips and the teeth into whistles and hoots,
their caps sometimes blown clear to the ceiling
as humanity shook, and then settled down finally
like the smoke that settles in the valley late at night,
lingering among the silent trunks of the trees.

No. 46 Winter 2026

Lexi Pelle Wearing a Slip to Prom

Of course I didn’t know it was a slip
till he told me, only knew how it felt
when I put it on in the dressing room:
the cool fabric air-kissing my curves.
I wore a word caught on the tip of a tongue,
drips from a hand dipped in holy water.
I wasn’t picturing punch and mylar balloons;
I was in a film, lying in a damp field
at daybreak. Even in the harsh light,
and when the lace trim tore when I tore
off the tag, the liquid shine turned the satin
silk. It was an inconsolable pink, pink
of newborn flesh waiting for fur.
There’s no slipping back into the skin
of that girl who saw, in such cheap
scrap, a gown—she’s on the balcony
of my life clicking her chipped glitter nails
against the rail, unable to hear me yelling
up to her, or worse, ignoring the call.

Of course I didn’t know it was a slip
till he told me, only knew how it felt
when I put it on in the dressing room:
the cool fabric air-kissing my curves.
I wore a word caught on the tip of a tongue,
drips from a hand dipped in holy water.
I wasn’t picturing punch and mylar balloons;
I was in a film, lying in a damp field
at daybreak. Even in the harsh light,
and when the lace trim tore when I tore
off the tag, the liquid shine turned the satin
silk. It was an inconsolable pink, pink
of newborn flesh waiting for fur.
There’s no slipping back into the skin
of that girl who saw, in such cheap
scrap, a gown—she’s on the balcony
of my life clicking her chipped glitter nails
against the rail, unable to hear me yelling
up to her, or worse, ignoring the call.

No. 46 Winter 2026

Ross White Annihilation

Break my tooth on my tongue
if I speak. Bust wide open
my lips as they form the deadly
syllable. Batter my palate to pulp.
So much seething I could shatter
all sound if I gave voice to it.
I’ve felt this way 759 days
& have said nothing.
I’ve drawn lines in sand
with sticks & thought this,
inviolable
, & all were crossed
& I tried cussing & curses fattened
in my throat & now they’re thick,
so thick maybe no air will pass
through this larynx & this aching
jaw may not sink to let out
the sound, anyhow, if it comes.
Crack apart my canines if I erupt,
grind the tongue to jam.
Because once the mouth obeys
what it’s so long swallowed,
once this blubbering turns to wail,
I’ll be siren, part of the choir
singing smash this, set this alight,
so loudly every eardrum bursts.

Break my tooth on my tongue
if I speak. Bust wide open
my lips as they form the deadly
syllable. Batter my palate to pulp.
So much seething I could shatter
all sound if I gave voice to it.
I’ve felt this way 759 days
& have said nothing.
I’ve drawn lines in sand
with sticks & thought this,
inviolable
, & all were crossed
& I tried cussing & curses fattened
in my throat & now they’re thick,
so thick maybe no air will pass
through this larynx & this aching
jaw may not sink to let out
the sound, anyhow, if it comes.
Crack apart my canines if I erupt,
grind the tongue to jam.
Because once the mouth obeys
what it’s so long swallowed,
once this blubbering turns to wail,
I’ll be siren, part of the choir
singing smash this, set this alight,
so loudly every eardrum bursts.

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No. 45 Summer 2025
Featured Prose

Emerging Poet Feature: Jasmine Khaliq

No. 45 Summer 2025
Featured Prose

Across Such an Octave: An Interview with Danusha Laméris by Cate Lycurgus

Issue artwork by WH-O

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