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32poems

No. 45 Summer 2025

Brandel France de Bravo Your Stomach Is Always a Little Unsettled in Heaven

as if the milk in your coffee had curdled or your crush
were opening the locker next to yours. In heaven,
the hair-like spine from a cactus can’t be tweezed
from your finger, even under the brightest light.
None of the pens work in heaven, and nobody
throws them out. Pockets and purses in heaven
are inky with thoughts, and it’s difficult to get
the news from anything not a poem. In heaven,
there’s no planned obsolescence. You bake a cake,
buy a card and pass it around discreetly
for signing whenever an appliance retires.
In heaven, you stand in line until the bouncer
who used to work at Berghain tells you
no, and you can go home. You hang out
on your couch a lot in heaven. It’s mustard corduroy
and seats everybody you’ve ever known
in heaven, and before. Riddles hang in the air
like piñatas without a stick in heaven, and one
damn dog barks all night long.
Everyone’s nose quivers wet-black
in heaven where there are no bad smells,
only “interesting” ones. The designer fragrance
flying off the shelves in heaven is “Body
Odor,” written in triple-axle cursive
that no one can read or agree to abandon.
In heaven, the seat in front of you reclines
so far back, the passenger’s head rests
in your lap, your hands draped over their brow
like a cool washcloth. Your mother in heaven
still shadows smokers in her trench coat,
hungrily huffing their blue outbreath.
In heaven, a grapefruit-pink moon floats
above the church spire like a balloon
some child let go of, and it
no longer makes you cry.

as if the milk in your coffee had curdled or your crush
were opening the locker next to yours. In heaven,
the hair-like spine from a cactus can’t be tweezed
from your finger, even under the brightest light.
None of the pens work in heaven, and nobody
throws them out. Pockets and purses in heaven
are inky with thoughts, and it’s difficult to get
the news from anything not a poem. In heaven,
there’s no planned obsolescence. You bake a cake,
buy a card and pass it around discreetly
for signing whenever an appliance retires.
In heaven, you stand in line until the bouncer
who used to work at Berghain tells you
no, and you can go home. You hang out
on your couch a lot in heaven. It’s mustard corduroy
and seats everybody you’ve ever known
in heaven, and before. Riddles hang in the air
like piñatas without a stick in heaven, and one
damn dog barks all night long.
Everyone’s nose quivers wet-black
in heaven where there are no bad smells,
only “interesting” ones. The designer fragrance
flying off the shelves in heaven is “Body
Odor,” written in triple-axle cursive
that no one can read or agree to abandon.
In heaven, the seat in front of you reclines
so far back, the passenger’s head rests
in your lap, your hands draped over their brow
like a cool washcloth. Your mother in heaven
still shadows smokers in her trench coat,
hungrily huffing their blue outbreath.
In heaven, a grapefruit-pink moon floats
above the church spire like a balloon
some child let go of, and it
no longer makes you cry.

No. 45 Summer 2025

Seth Peterson Interview with Frank Lloyd Wright

What no one knows exactly is the quantity of sun
          that fits inside a bedroom. How the leaded glass

creates partitions in the sky. Living here,
          on Earth, is not unlike an apprenticeship.

You explore the proportions of positive & negative
          space. You discover how your eyes move upward,

along vertical lines of paneling, to a clerestory
          window. Perhaps an obstacle is necessary—

a way to divide what the heart wants from
          what the mind believes is possible. Everything,

if you’re doing it right, is inspiration for a blueprint.
          How tree limbs divide & divide, forming little fractals

in the atmosphere. Topography is a kind of wisdom, really.
          The natural elevations. The sheer facade of cliffs.

Everything should appear to be attainable, only
          just behind a corner. In front of your dream could be

a balcony to nowhere. In front of the carport:
          prison bars, rising from the ground. Take a bay window

& place it between you & your wife. This way,
          an illusion of intimacy is maintained. If it seems like

there are too many obstacles, remember that
          the home is like a body. In the middle of everything

treacherous, build a hearth that surges up to space.
          The material for this should be indestructible, harder

than hard. The type of masonry that breathes
          heat, even in the winter. Not everyone can afford

the kind of buildings I create, but every home
          can still be built into a river.

What no one knows exactly is the quantity of sun
          that fits inside a bedroom. How the leaded glass

creates partitions in the sky. Living here,
          on Earth, is not unlike an apprenticeship.

You explore the proportions of positive & negative
          space. You discover how your eyes move upward,

along vertical lines of paneling, to a clerestory
          window. Perhaps an obstacle is necessary—

a way to divide what the heart wants from
          what the mind believes is possible. Everything,

if you’re doing it right, is inspiration for a blueprint.
          How tree limbs divide & divide, forming little fractals

in the atmosphere. Topography is a kind of wisdom, really.
          The natural elevations. The sheer facade of cliffs.

Everything should appear to be attainable, only
          just behind a corner. In front of your dream could be

a balcony to nowhere. In front of the carport:
          prison bars, rising from the ground. Take a bay window

& place it between you & your wife. This way,
          an illusion of intimacy is maintained. If it seems like

there are too many obstacles, remember that
          the home is like a body. In the middle of everything

treacherous, build a hearth that surges up to space.
          The material for this should be indestructible, harder

than hard. The type of masonry that breathes
          heat, even in the winter. Not everyone can afford

the kind of buildings I create, but every home
          can still be built into a river.

No. 45 Summer 2025

Emma De Lisle Day 2

Basin below to drain the sea into, sky
some kind of beaten metal, you can see
how it might gleam, burnished, blotches of gold
shifting as you shift, no sightlines yet, just sight
occurring as tone, then recurring. Blotted. Each wash
slightly new. And smoother, as if scrubbed,
touched—I want to touch—I could fold
that gold almost, foil-fine, I can’t see
where the light is coming from—where’s
our one glitzy moon, smearing white oil
on the water? Sunscreen milk film, creatures
there aren’t, not breaching, not drinking,
not sucking spiders from where they protrude
into the blank air, no globes greater or lesser
to point to. Just light. Like thought, like what we imagine
thought is. Not how it is really. I’m guilty
when I write. That’s not how You do it, is it?
You who hold back the sky, who make Your dome.

Basin below to drain the sea into, sky
some kind of beaten metal, you can see
how it might gleam, burnished, blotches of gold
shifting as you shift, no sightlines yet, just sight
occurring as tone, then recurring. Blotted. Each wash
slightly new. And smoother, as if scrubbed,
touched—I want to touch—I could fold
that gold almost, foil-fine, I can’t see
where the light is coming from—where’s
our one glitzy moon, smearing white oil
on the water? Sunscreen milk film, creatures
there aren’t, not breaching, not drinking,
not sucking spiders from where they protrude
into the blank air, no globes greater or lesser
to point to. Just light. Like thought, like what we imagine
thought is. Not how it is really. I’m guilty
when I write. That’s not how You do it, is it?
You who hold back the sky, who make Your dome.

 Scroll for more  

No. 43 Summer 2024
Featured Prose

Emerging Poet Feature: Jacob Boyd

No. 43 Summer 2024
Featured Prose

Wrapped Up in the Way We Say It: An Interview with A. H. Jerriod Avant by Cate Lycurgus

No. 43 Summer 2024
Featured Prose

“To speak at all I must”

Issue artwork by WH-O

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