Night of the MacGuffin
The George I see in paintings fights a different type of dragon
than the one I have in mind, which is a tougher-to-pin-down kind
conceptually I think than the typical outsized lizard or snake
pimped out with one or more of the following: wings, horns,
classic breath of fire, spellcasting capacities, cold glances
in the style of the basilisk, narcissism (look it up), idiopathic
sleeping habits, fiscal conservatism, troglophilia, high IQ
and language use, to cite just a few from the long running list
of attributes we commonly ascribe to dragons. The running list itself
might also be a dragon, self-protracting into the future
of what it refers to, scrolling around the very idea until the mind
admits defeat in an audible sigh as we continue doing what we do
to get to the next point and the next. Don’t look so perplexed
I say to myself en route to avoid the dragon, which is the only
surefire way to face it, as with a mirror walking backwards into its den,
so what reaches you isn’t magic but a defanged copy of magic,
and this levels the field a bit, seeing what was once so fearful reduced
to a piss-trickle of images, which sources say is still a post
with power tied to it, but if there’s anything I know after all this
typing, it’s the difference between dragons and whatever this thing is.