13.2 Fall/Winter 2015 PROSE
Contributors’ Marginalia
Reflection in the High Varnish of a Little White Lie: A Cento
Shara Lessley on 32 Poems 13.2
On Being Alone Together
Michael Bazzett on “Faith” by Jacques Rancourt
Intimate Solitariness
Shira Dentz on “Wild the Sea” and “Out of the Sea” by Aaron Krol
The Tune of It
Christine Hemp on “Short, Sweet” by Hailey Leithauser
Everything is Good
James Arthur on “Stroll the Venice Canals” by Jessica Piazza
Flesh of My Flesh
Rochelle Hurt on “The Clinic Bomber’s Mother” by Shara Lessley
Lit Well
Randall Mann on “Scale” by Kathy Fagan
Clench and Unclench
Aaron Krol on “Silence is Golden” by Rochelle Hurt
Engineer’s Conundrum
Leah Falk on “Before Time” by Claudia Emerson
Impressionable
Kathy Fagan on “Flower” by Melissa Stein
Interviews
On the Shoulders of Beauty
Phillip B. Williams
The Texture and Proximity of the Human Voice
Carmen Giménez Smith
Witness Through Listening
Oliver Bendorf
Untethered from Product or Object
Diane Seuss
The Wormy Compost
Rebecca Gayle Howell
Reviews
When the Day Is Honed and All Is Bright: A Review of Steve Scafidi’s The Cabinetmaker’s Window
Amber M. Stamper
Keeping Place Whole: A Review of Jamaal May’s Hum
Kristin George Bagdanov