11.1 Spring/Summer 2013 PROSE
Contributors’ Marginalia
Distance
Chad Davidson on “After Tom Wesselmann’s Great American Nude #57, 1964” by Adam Vines
Asking for the Moon
Claire Wahmanholm on “Moon” by James Henry Knippen
The Appeal of What Appalls
Joanna Pearson on “Persephone Willing” by Kristin George Bagdanov
Words of Becoming
Sarah Crossland on “Rune Poem” by Amit Majmudar
Collisions
Angie Macri on “Aquacade” by Sarah Crossland
A Burning Between Two Worlds
James Henry Knippen on “Burn the Scarecrow” by Luke Johnson
A Word I’d Never Seen Before
Michael Bazzett on “The Art of Reading” by Rebecca Morgan Frank
The Wild Tune of Personal Ruin
Rebecca Morgan Frank on “Personal Ruin” by Claire Wahmanholm
Our God Is a Consuming Fire
Benjamin Myers on “The Arsonists in Love” by Joanna Pearson
Spells Realized
Alexandra van de Kamp on “The Tin Man Full of Bees” by Sarah Crossland
A Rabbit’s Foot
Amit Majmudar on “Fly” by Richie Hofmann
Interviews
Look! He’s Moving!
Alan Shapiro
The Zip Code of the Heart
Jim Daniels
A Late Style of Fire
Michele Poulos
Acoustical Pleasures
Lisa Russ Spaar
A Collaborative Interview on Collaborations (Part 2)
Maureen Alsop and Joshua Gottlieb-Miller, Kathy Barry and Jocelyn Casey-Whiteman, Marie Harris and Sebastian Matthews, and Ryan Teitman and Marcus Wicker
Subject to Distortions
Amy Beeder
Reviews
In Praise of Everything: A Review of Marcus Wicker’s Maybe the Saddest Thing
Emilia Phillips
The Surface is Really the Sky: A Review of Matthew Olzmann’s Mezzanines
Emilia Phillips
Wherever I Go the Sparrows Look the Same: A Review of Zubair Ahmed’s City of Rivers
Matthew Zingg
Essays
Isn’t Our Life Enough: Three Takes On Workshop
Chad Davidson, Patrick Scott Vickers, and Nicky Beer
