10.2 Fall/Winter 2012 PROSE

Contributors’ Marginalia

Not Nothing
Austin Segrest on “Winter Inlet Arrangement” by Hastings Hensel

What Heart-Rifle Hybrids Have to Teach Us
Rosalie Moffett on “Winchester .351 High-Power Self-Loading Rifle” by Alexandra Teague

In the Know
Alexandra Teague on “Noir” by Kathleen Winter

Getting Over Particle Physics at Badaling
Kathryn Nuernberger on “At Badaling” by Matthew Thorburn

Precision that Defined Arachne
Hannah Sanghee Park on “Downdraft” by Carol Light

“Orange as a Bird and Silver as a Nest”
Matthew Thorburn on “Birds of Ohio” by Kathryn Nuernberger

Talk It Up
Noah Kucij on “Outfielder” by Matthew Sumpter

Wild Civility
Matthew Buckley Smith on “Campus and Dinkytown” by Maryann Corbett

Failure as Self-Protection
Renee Emerson on “Instar and Eclose” by Rosalie Moffett

The Many or The One
Paul Dickey on “The Belt” by Noah Kucij

The Consolation of Seeing Clearly
Carrie Shipers on “Winter Inlet Arrangement” by Hastings Hensel

All That There Was and Only
Carol Light on “Bang” by Hannah Sanghee Park

Lover and Devil
Kathleen Winter on “Winchester .351 High-Power Self-Loading Rifle” by Alexandra Teague

The Black of Noir
Peter Kline on “Noir” by Kathleen Winter

Enough Light
Maryann Corbett on “Query on Typography” by Malachi Black

Lovely Rot
Traci Brimhall on “Corpse Flower, Brooklyn Botanic Garden” by Brandon Courtney

Bait
Hastings Hensel on “After the War” by Matthew Thorburn

Interviews

Usually a Window, But Occasionally a Stage
Matthew Olzmann

A Collaborative Interview on Collaborations (Part 1)
Traci Brimhall and Brynn Saito, Landon Godfrey and Holly Iglesias, Kyle McCord and Jeannie Hoag, and Adam Peterson and Laura Eve Engel

Zones of Providence
Sebastian Matthews

Biomythography
Traci Brimhall

Reviews

Essays

Isabelle’s Tongue
Anna Journey