How the Light is Spent
Even the light accepts the trespasses
against it, so that a bit of shade
chars the grass. Across the gravel
at the underpass
it makes a clean break,
but more often it ends in a mottle
of amber and umber.
The bevels of
leaves become the light’s ambivalences—
and below, the veil.
In the spokes of a bicycle, it
pulsates, and between the loiterers
by the taco stand,
erects pillars.
Beneath the maples it concedes whole
realms that house any leaves that
may fall.
There are places it won’t go—
the sea floor, the ingot of shadow
in a drawer. Like a visitor in a hospital
it waits, warming the spot off
to one side—and it takes such lengths
to leave the room, lingering at
the bedside,
the far wall, the doorjamb.